There have been missed opportunities, mostly from the science community, to explain how the science process works. With its overwhelming ability to give misinformation, social media has not helped matters and has made things worse. Take AI for example.
Judging by the number of postings on social media, AI is portrayed as an evil, sentient machine out to rule the world like on the popular shows and movies ‘Westworld’ and ‘The Matrix’. What is not said is that these are works of fiction and the AI in the stories is the latest incarnation of “when man plays God his creation will rebel”. It is the story of ‘Frankenstein’ in the modern, technological world. The media and the scientific community are mostly silent about the benefits machine intelligence has already provided. AI is a tool that can take enormous amounts of data and correlate it in a way researchers can find useful. New pharmaceuticals, biotechnology, and manufacturing processes would have taken decades to develop if it were not for machine intelligence. AI is not sentient. It can mimic human responses but is not conscious. It’s a highly effective tabulator and nothing more. But since listening to stories about “killer machines” is more interesting than learning algorithmic coding the fear of AI wins the propaganda war.
Most “science news” media give the public the wrong idea about science. For example, reality is not subjective and deterministic on a day-to-day macro-level. The apple is red because that is the wavelength the photoreceptors in our eyes registered, and our brains interpret Whether a human or any organism that can perceive the same wavelength red is red. The non-human organism may not understand the concept of “red” but knows what it means. It’s at the subatomic quantum level where reality becomes fuzzy only because scientists don’t fully understand it. Terms like “entanglement”, “locality”, and “hidden variables” are inadequate descriptions of the mathematical theorem in quantum mechanics. Thought experiments illustrate phenomena described in math. Unfortunately, the news media takes these examples too far and falsely apply to real-world experiences. They are examples that describe math and not reality. Physicists have told how observable phenomena work and have done it well. But there is still a lot to be known. Like, how things at the subatomic scale relate to cosmic-level relativity. Scientists look at the data, create an idea explain it, and evaluate it. Sometimes they get it right. Most of the time the data makes new questions. So, back to the drawing board, pen and paper, or laptop, to figure out why. Quantum mechanics is not an exact, well, science. It is getting there, but not anytime soon (there’s that nagging problem with relativity). Here is where the media, for reasons I can only perceive as sensationalism, gives the general public the wrong impression. Whenever a news article claims that scientists have proved, or most often disproved an established theory, you should always take it with a grain of salt. By the way, salt is chemical salt, and not a concept.
Paul Atreides’ prescience, the ability to see future events, in Frank Herbert’s ‘Dune’ is both a literary device and commentary on science throughout his novel. As a literary device, Herbert uses Paul’s ability to see the future as a way of foreshadowing events in the book. In Paul’s visions, the reader sees the destruction of the House Atreides, Paul meeting Chani and the Fremen, and his rise as a messianic figure. The author also shows how Paul may be the long-anticipated hero of this messianic story, the Kwisatz Haderach, as hinted in the scene with the Reverend Mother Gaius Helen Mohiam and the Gom Jabbar test. But Herbert also tells the reader another story, one about the danger of living in a deterministic society where freedom gives way to absolute predictability and control. The trap of the prescient as he calls it.
To understand Frank Herbert’s fear of a world where everything is determined and predictable you have to understand the times in which he lived. From the 1940s through the 1960s science was both the boon and a bane of human society. Through science, human beings could increase lifespan, end hunger and disease, and promote peace. Science could also make more devastating weapons and introduce the threat of a technocratic despotic state. Computers, or thinking machines, could orchestrate all aspects of human life and, with their ability to predict future events, create a static society where everything is determined and controlled. Herbert hated this idea, of the loss of free will, so much that in his book he had the “thinking machines” destroyed in a Great Jihad. He also postulated that this folly by the people who wanted to predict the future, to control the fate of others, would not end with that. So in ‘Dune’, Herbert introduces the reader to prescience, and Bene Gesserit’s eugenics program to achieve this goal, and how this could lead to the extinction of humankind.
The creation of the Kwisatz Haderach by the “witches” in the narrative gives the story both the reason for the central character, Paul Atreides, to be the messianic figure in this story and the theme which is the folly of predictability. Paul’s abilities set him apart from those around him through his visions of the future and foreknowledge of things he shouldn’t know. For example, when he knew how to wear his stillsuit for the first time or of his mother’s pregnancy with his sister. His visions of the future weren’t perfect, though. They were not always accurate and could even be open to interpretation as to when he failed to predict Gurney Halleck’s attack on his mother and the death of his first son, Leto. Paul himself described his prescience ability as a man traveling through the desert. When the traveler reaches the crest of a dune he can see for miles in the direction of his destination. It is only when he begins his journey, and climbs down to the lowest part of the dune, that his vision and sense of direction become obscured. Paul could see the future but once he attempts to move in that direction “his vision becomes obscured.” This is an analogy of computer efficiency in Herbert’s day. Computing technology was good at making short-term trend predictions but for predicting anything long-term with any accuracy it was virtually impossible. Like the traveler, the scientists could see their answers on the horizon but couldn’t see how to get there. In the novel, Paul saw an infinite number of scenarios, all equally valid, with the only difference being choosing the one least unfavorable. Instead of leading a conquering army on a bloody crusade under the Atreides banner, he chose the part of the messiah for the Fremen Jihad and Emperor of the Known Universe. Statistical analysts had the same problem, but not so dramatic. They also could see an infinite number of scenarios through the data they accumulated and from those chose the most plausible. If, they thought, you could build a better, faster thinking machine, a computer able to handle more data, then you could eliminate the uncertainty and make a better forecast of future events. Paul in his frustration in not being able to “see” Gurney Halleck’s attack on his mother echoes the same indignation futurists had with computing systems. They, like Paul, wanted a better way to improve their vision of the future, to make trends more predictable, and that is what Frank Herbert saw as dangerous.
Herbert wasn’t the only science fiction author writing stories about “science going amok”. If scientists were to create machines that controlled human society it would mean the extinction of humankind. It is an old trope with countless examples (it is still in use today with the fear of AI and life under the control of the machines!). In ‘Dune’, the electronic machines were replaced by “human computers”, the mentats. Mentats were human number crunchers which is what computing systems were at the time Herbert authored his novel. They perform copious amounts of numerical computations quickly so that the data can then be analyzed and propose workable solutions to problems. It was making short-term predictions by following the trends in the data. The more data that could be accumulated the more accurate the predictable outcomes. A mentat is only as good as the information it was given. It is no surprise that mentat training was part of Paul’s education through Thufir Hawat. Making reliable predictions, to see into the future, was the goal for developing supercomputers. Once you had such a system you can control multiple aspects of functionality, control the fates of others, and eliminate randomness. Control, and the end of free will, is what scared writers, like Frank Herbert, in this genre. But there were limitations in building such a system. There was a need for new programming algorithms and the miniaturization of transistor electronics. An intuitive leap in technology was necessary to create the kind of control in trends for long-term predictions. There was a need to shorten the way.
In the novel, Paul takes the “Water of Life” and makes his ascension to the level of the perfect seer. Computing technicians were doing the same in a way, through innovations in microchip technology and software, by building bigger and faster computing systems. To Frank Herbert this acquisition of technology was equivalent to Odin drinking from the Fountain of Wisdom and, as with Odin, it would come with a price. Paul drinks, pick the path of lesser evils (according to trend analysis seen as the possible scenarios in his visions), vanquishes his enemies, marries the princess, and becomes the new emperor. But what then, Herbert leaves us to ask? How will history judge us for following the words of the seer and ignoring the warnings of common wisdom (for Chani was wise!). Is the future a paradise of peace and plenty under the rule of the Perfect Prophet? Can a pre-deterministic controlled society, with no free will, end humankind’s problems? Frank Herbert continues his treatise on the scientific folly of predictability in his next three next books culminating with ‘God Emperor of Dune’. (To continue in Part Two)
They are both wrote about the decline and fall of an empire but observe how this comes to be through different eyes and resolutions.
Asimov’s approach in ‘Foundation’ is one of a historian. He describes how bureaucratic inefficiencies and a disconnected oligarchy caused the end of the Galactic Empire. He does so analytically and logically throughout ‘Foundation’ and ‘Foundation and Empire’. He changes in ‘Second Foundation’ when he introduces a proper protagonist/antagonist narrative. He had to. The first two books were an amalgamation of published short stories with a common theme. To continue the story beyond the first two books he had to shift style and construction. From ‘Second Foundation’ to his last Foundation book he continues the narrative in this way but never abandons the logic (as questionable it becomes) of the events to the end.
Herbert tells the same story but from a more traditional mythological saga approach. The story of how the empire falls and rises again is the story of the hero’s journey. It begins with Paul Atreides and ends with Duncan Idaho, the last “true Atreides” (I do not include those works by Brian Herbert and Kevin J. Anderson because those books were not part of the original vision). Herbert tells the story as a storyteller. Where ‘Foundation’ stresses the “Science” ‘Dune’ is all about the “Fiction”. AppleTV failed with its version of ‘Foundation’ because David S. Goyer and Josh Friedman tried to make it into something it wasn’t, a mythic saga. Nothing in the first book lends itself useful for this kind of format. Asimov’s ‘Foundation’ is systematically logical and few on character development. To adapt it, Goyer and Friedman used a familiar narrative, and it is the reason it feels more like a bad imitation of the worst ‘Star Wars’ tale. This is not the same for Denis Villeneuve’s ‘Dune’. Herbert’s ‘Dune’ is a mythic saga. Other than changes by the director for running time and artistic interpretation it is the same story by Frank Herbert. ‘Foundation’ failed with audiences because it tried to be something it wasn’t, and ‘Dune’ succeeded because it was what people expected.
Millions, Billions, Trillion; we hear these terms used about large values so often people have become numb to their actual meaning. I heard a fellow employee asked one time what he would do if he won a million dollars in the lottery. He replied, “a million isn’t enough to do anything.” He had no clue how much a million is. So, let’s take the most common object and use it to illustrate what these values are.
A dollar bill is .0043 inches thick. A stack of 1000 one-dollar bills would be 4.3 inches which are also 109.2 millimeters. For the sake of mathematical simplicity, I will be using the metric system from here on. I will convert the here and there so people using “Standard” and are not familiar with the metric system can understand. I will also round-up from 109.2 cm to 110 mm because by the time we get to billions, trillion, and beyond that small difference becomes negligible (if you’re picky, you can go back and use the precise value I’m just too lazy to deal with it).
Back to our stack of a thousand one-dollar bills. A 1000 one-dollar bills are 110 mm. A million, which is one thousand, thousand one-dollar bills (1000 x 1000) on top of each other would be 110,000 mm tall, or 110 meters high (see why metric is easy? 1000 mm = 1 meter). 110 meters is approximately 120 yards, longer than the length of a football field. That’s a million one-dollar bills stacked one on top of the other. So much for my fellow employee’s statement.
A billion is one thousand million. 110 meters is .11 kilometers and when you multiply that by a thousand, to get one billion, (.11 kilometers x 1000) you get a stack of one dollar bills 110 kilometers (approximately 68 miles) tall. Mount Everest is 8.85 km (5.5 miles). 110 km is almost 12.5 times the height of Mount Everest. Twelve and a half Mount Everest mountains on top of each other would equal a stack of one billion one-dollar bills. Presently, there are 7.5 billion people in the world. What if each dollar bill represented one person alive today that stack would be 825 km (approximately 513 miles) tall or 93.75 times the height of Mount Everest! This is the height most low orbiting satellites travel at.
Take a moment to think about this. A stack of one billion one-dollar bills stacked on top of each other representing each person would be tall enough to reach space. I’ll wait.
That’s a lot of people living on Earth today.
This is why I find apocalyptic scenarios that speculate the complete extinction of human being so far-fetched. One billion is a large number and seven and a half, well, you see. Even if you were to kill off 99.99% of the human population there would still be 750,000 people alive. 750,000 is the estimated number of humans alive 10,000 years ago at the dawn of agriculture and city-states. From 750,000 to 7.5 billion in just 10,000 years, a blink of an eye in geological time! Hardly an extinction event in human terms. Nothing human beings have created thus far can kill every man, woman, and child on this planet. Yes, the human loss would be devastating but not complete. We are as indestructible as the worst of any infestation. Considering the number of species that have become extinct by our hands, beginning with the megafauna around 12,000 years ago, animal life on Earth has more to fear by our presence than any other natural event. By the end of the 21st century, if present trends continue, the human population on this planet will reach 10 billion! Not even climate change will kill us all off but the human suffering will be incalculable. Now, let’s take it up a notch and see what a stack of one trillion one-dollar bills would look like. That is if we can.
A trillion of anything is thrown around these days with as little true meaning as a billion was decades ago. A trillion is, in fact, a huge number. We just saw that our stack of one billion one-dollar bills would reach outer space. Doing the math as we have done before, multiplying by one thousand, our stack is now 825,000 km tall (512,630 miles). The distance to the moon is 363,100 km (238,900 miles). That would make our stack a little over two and a quarter-time the distance from the earth to the moon. Another way to think of it would be to make two equal stacks reaching the moon with a lot of change leftover. The stack laid on its side would circle the Earth a little over 33 times! The United States’ national debt is now at $28.3 trillion and growing every year.
I’ll give you another minute to think about that one.
$28 plus trillion dollars is an amount in debt your great, great, great-grandchildren would barely make a dent in paying it off. And like I said, it grows every year. The United States would have to run on a balanced budget up to its quadricentennial to pay it all off. It’s just impossible. Yet, politicians are always talking about how cutting a million here, or a million there makes them fiscally responsible. Who are they kidding if it’s not their constituents? Quibbling over a billion dollars, and cutting vital programs in the process, seems a little like trying to empty an ocean with a teacup.
Now, I’m going to skip a great deal of order of magnitude and discuss another term widely used but little understood by the general public, infinity. Just what does infinity mean? To most people, it means “something that goes on forever”. But can anybody truly picture what “forever’ means? Is it to the end of time? Well, no. Because the universe has a beginning, the Big Bang and, if physicists are correct, there is an end. One theory states that the “End” will come when the universe has expanded so far that star formation will come to a complete halt because the matter will be so thinned out no material could clump to make new stars a quadrillion years in the future. That’s one followed by fifteen zeros. What stars are left would form black holes that would eventually, due to the escape of Hawking radiation, will slowly fade away in ten to hundred quintillion (one followed by nineteen or twenty zeros) years from now. The only thing left at this point is a thin soup of basic particles that too will eventually lose energy and decay after a huge amount of time (1 followed by 200 zeros years from now). At this time, in the far, far future, with no movement, no particles, not even enough energy to register, time cannot be said to have any real meaning, and, so, it can be considered the “End of Time”. But this is not infinity for it goes on forever. This is why physicists hate infinity for to them it means simply “I don’t know”.
There you are, working on equations that will solve the Grand explanation of Everything and after years of work your answer comes out as “infinity”. Talk about frustration. Yet, the general public throws it around like it’s a household word. There are Infinity Stones, infinite multiverses (redundant, really), infinite possibilities (but, really, only a few possibilities). Infinity is, in human terms, an unknown and one that, by definition, can never be known.
-A. M. Holmes
Author’s Note; I’m not going to include any citations for the piece because I went to Google for such things as “how tall is Mount Everest” and “how far is the moon”. If I could do this, so can you if you have any doubts. I do think my math is pretty sound but if I did make mistakes please point them down in the comments along with the correct answer. -A. M. Holmes
We all know good writing when we read it, but it’s hard to put our finger on how exactly it is created. However, the worst words to use in your writing are…
I just listened to an intriguing podcast on Science Fiction with Damien Walter where he tries to answer, ‘What is Science Fiction?’ (https://damiengwalter.com/2021/07/20/what-is-science-fiction/). In it, Walter brings up what he calls the three fallacies concerning science fiction. He says science fiction is not a genre as it is more like an artistic movement, it is not just “speculative fiction”, and not entertainment. I agree with what he said about two of these fallacies and slightly disagree with him on one.
First, what I agree with. Having viewed and read science fiction since I was a small child I have been inspired to write science fiction stories. For most of my life, I’ve done this as a hobby, something I did as a form of expression, to tell stories to myself. Now, encouraged by my wife’s publications, I wish to take this hobby and turn it into something that I can share with others. One of my wife’s questions, she writes epic fantasies, was what specific subgenre I was writing in. Well, I never considered that because to me science fiction is just that, and to break it down to a subgenre, or a sub-sub-genre seemed to me to be a ludicrous idea. Why would I want to pigeonhole myself into a specific slot and limit my creativity? Why does a story need to be limited to a specific arbitrary group when it can be more than that? “Who’s your target audience?” she answered. So the idea is a marketing tool and not a real literary definition. I agree with Damien Walter in that science fiction, with its crossover into many media forms and influence is more of an artistic movement no different than, say, post-modernism. It is only defined into its narrow literary definition of “genre” and all its “subs” to make it easier for the people who market it. So, the difficulty in defining it comes from it not being a specific product.
Is science fiction speculative fiction? Yes, it can be. But is it speculation? Not necessarily so. If you take science fiction out of being a genre you can do so much more with it along other avenues of thought. Rod Serling’s ‘The Twilight Zone’ did this in many of their stories. It wasn’t always about the “if this now, this is where we’ll end up” but at times about “here we are, now take a good close look at it”. Science fiction is storytelling with one foot in reality and the other in fantasy. It is the combination of the imaginative and the rational into one narrative. Technology, physical phenomenon (e.g. time travel, black holes, etc.), and non-human encounters are aspects of the setting unless they are the protagonist/antagonist of the story. They do not define science fiction but are part of the framework. I think Damien Walter’s explanation of science fiction as the melding of the “Mythos/Logos” is very much true. It is storytelling using the abstract notion of creativity with the rationality of realism. It is a form of expression distinctly unique as in any other artistic movement, for a movement it is.
Is it entertainment? Now, here is where he and I disagree. The reason I want to be a published writer is not that I want fame or notoriety, or to make a butt-load of money but to tell a good story. Storytelling is one of the oldest endeavors that first evolved in humankind. Our ancestors told stories around the campfire to educate and, depending on the manner it was told, to entertain. You can make the daily hunt more interesting if you tell it in a certain way. Storytelling is entertainment and science fiction is or should be, about the story.
Someone on one of the social media creative writing groups I belong to posted, “Why in the world would anyone like Harry Potter? …How do you create a book or characters that people will love?”
It’s all about hard work, timing, and the fickle predilections of a fad. You can be a good writer with a good idea and never succeed because it just isn’t what the readership is looking for at the time. You can also be a good writer with a good idea that resonates with readers that, with their favorable reviews, may engage others, and your works become a hit.
J. K. Rowling’s success wasn’t overnight, it took years of effort to finally make it. Rowling worked on Harry Potter for five years, getting feedback, rewriting, more feedback, more rewriting, until she got something she was happy with. It still wasn’t easy, she had to get it published. When publishers refused to read it unless she got an agent she got one. Even after that, she was rejected by 12 publishers until one decided to print. Then came promoting it. Fortunately for ‘Harry Potter and the Philosopher’s Stone’ it connected with young people through its protagonist. The character of Harry resonated with adolescents through fantasy and plain good storytelling in a way they understood. The more the word spread about this book, the more excitement was generated about it, the more books flew off the shelves in sales. J. K. Rowling had a hit in little time after publishing, but also, after 7 long years of hard work. It could have just as easily, as many have learned on their own, never have amounted to anything. It could have ended up in the “Bargain Book” section after its first edition. There’s no way to predict what the public wants.
But there are ways to improve your chances by,
1. Make a good product (yeah, unless you’re doing this for fun, or obscurity, your book is a product). Edit, edit, EDIT! NOTHING IS SACRED! You, your family, and your friends may think your work is a masterpiece as is but unless they plan to purchase every single book published it’s the general public you have to convince (people can distinguish between something readable from crap).
2. Try to be original, fresh. If there are too many books about zombies, and you like writing about zombies, how can you make your “zombie story” different? (Or, here’s an idea, give up writing on zombies and find something different.)
3. Learn to promote your product (GET THE WORD OUT! People aren’t going to randomly flock to you just because YOU think YOU’RE great).
4. DON’T GIVE UP! The one thing that is common among successful writers is that THEY DIDN’T GIVE UP. QUITTERS NEVER WIN!
So, do you think you have the next “Best Selling” phenomenon? I know I hope I do with my work in progress. The difference may be all in the effort we put in and what readers are looking for.
The future is the undetermined existence, space/time in a flux. The present is the coelising of the future into a fix point becoming the now. The past is those fixed elements existing as would a string within a tapestry. To pick the future is to fix it and so make it the present. To choose the past is to live within it like an insect trapped in amber. I would choose the present, because only there am I the master of both the future and the past.
A Pro-Trump Meme from Facebook I couldn’t resist trolling
Challenge accepted. I’ll go down the line of what I love about the Democratic platform (and what the party, Biden, and Harris have committed to) and then any of you Trumpsters can present the Republican’s version (betcha most of you don’t even know). And just like the meme says, INSTEAD OF BASHING DEMOCRATS, WHAT DO YOU LOVE ABOUT THE REPUBLICANS.
1. Instead of lying to the people of this country and not take responsibility how about acting like a real leader. When 9/11 happened, President Bush took control and mobilized our nation not only militarily but in political solidarity. We need that sort of leadership to get through the pandemic. Unity, not denial and finger-pointing.
2. Our economy is a mess and shoveling more money into big businesses isn’t doing anything but making the rich richer. We need to get our butts out of the 20th century and come up with new and innovative ideas to move forward. FDR did the same and brought our nation out of the Depression.
3. We have the ACA (Obamacare) and for as many times Republicans tried to repeal it, it remains. So, lets compromise and REFINE IT so it works for EVERYONE.
4. Reform, reform, reform. That’s all Washington has talked about concerning our justice system and all it has amounted to is building more prisons and shoving social worker duties onto our already overwhelmed police forces. What’s a “wellness check” going to do if crimes are committed elsewhere? The bottom line in many escalating circumstances is, we must separate mental/social care to those better trained, and the police to do what they do best -protecting people and property.
5. The scenes of the Western coast burn (due to severe drought), the numerous cat 4 hurricanes, weather patterns changing across the country are symptoms of what is happening around the world. You can continue to deny it, but the reality is CLIMATE CHANGE is here. But what can we do? There is an opportunity here that will not only provide jobs but make America the center of a NEW GREEN TECHNOLOGICAL INITIATIVE by investing time, money, and some of the brightest people to work on it. Fossil fuels, and the economies it supports, are like the diabetic eating only cake and ice cream, eventually, he will die soon than later. That’s what we need to avoid to make America TRULY great again.
6. Putting up a wall isn’t working. It never will and will be seen as a boondoggle someday. We have the technology (drones, motion cameras, etc.) that are more efficient than the old tech of “round them up and ship them out”. What about the ones already here? Let’s come up with a way to integrate them into our country. We’ve done it many times before with the Germans, Irish, Asians, Italians why not now? Canada has the largest number of immigrants and they can handle it by just doing that, handling it.
7. If there one thing that this pandemic has proven is that when it comes to wifi, we are a THIRD WORLD COUNTRY. Right now, there are Chinese goat herders in western China that gets better connectivity than most of us. What does this have to do with public education? How many of you have kids who had to, or now, do online classes? Public education SHOULD BE FREE TO THE PUBLIC AND SO SHOULD THE MEANS IT IS PROVIDED!
8. Leadership. Truman once said, “Leadership is the ability to get men to do what they don’t want to do and like it.” Right now, nobody likes doing what needs to be done and avoiding responsibility. We need leadership back in our presidency and as another Truman quote goes, “if you can’t stand the heat, get out of the kitchen.” If you can’t stand the criticism, the hard work, the advice of others more learned in those areas of concern, then step down and let someone else a try.
Your turn. What’s good about the Republicans? And don’t use single-syllable words and GIFs. Speak up and defend what Trump will do for you. by saying “America will be GREAT and Safe” means absolutely NOTHING if you can’t back it up.
Life On a Small Blue World© 